Dennis DJ - Vascao 2000 02. How to remove exchange server 2007 transaction log files. MC MDY - Rap de Caxias 03. View credits, reviews, tracks and shop for the 2005 CD release of Rio Baile Funk - Favela Booty Beats on Discogs. ![]()
Veronica Costa - Desce Glamourosa 11. EDU K featuring Deize Tigrona - Sex-O-Matic (DJ Mavi+DJ Sany Mix) 12. Juliana E As Fogosas - A Boquinha E Minha 13. MC Cris - O Meu Marido Nao 14. MC MDY - Perereca Pra Frente 15. DJ Disconhecido - Dedinho Pro Alto 16. Moleque Manhoso & Bonde Do Vinho - Danca Do Rodo 17. Bonde Do Vinho - Toma Dengossa 18. Roque Bolado - Catita 19. Voltair - Cleck Cleck Boom 20. EDU K - Hot Mama (Bonde Do Role Mix) 21. MC Marcinho - Favela. Like anywhere in the world, the 808 drum machine was a complete revolution and the base of new genres. In the country of Bossa Nova, the ghetto took over this sound to produce Funk Carioca, which is also known as just Funk in Brazil or Funky (not to be confused with the ). In Brazilian Portuguese, Carioca is actually just the name given to people living in Rio De Janeiro where the genre first appeared. This music is better known as Baile Funk in the rest of world. But for Brazilian, Baile just means a venue for dancing. All those different designations are leading to confusion. As the focus is more on the lyrics, the catalogue of rhythms might seem to be a little limited at first. But producers progressively became more creative and have started to incorporate more native and traditional Brazilian sounds. Another critique of the genre, and certainly the most popular one, is that Funk Carioca lyrics have often been dubbed as too orientated towards sex and violence. The music is coming from the favelas so it makes sense that those subjects are part of the lyrics as all this is part of the daily life of the producers and singers. But a lot of producers and MCs have been standing above the crowd and have started to deliver quality lyrics. Mc Dede, for example, warns about the risk of going to prison and advise the youngsters to study and (of course) play football instead of getting involved in gangs. In Germany, Daniel Haaksman compiled the release “Rio Baile Funk – Favela Booty Beats” in 2004. This compilation of Funk, sometimes instrumentals, will become the perfect tool for DJs to spicy up their set. Dedicated to DJs or connoisseurs, this release will remain an important piece of Brazilian culture in Europe. It was released on Essay Recording, a record label blending world music and electronic music with an emphasis on Balkan Music. Soon after, Daniel founded Man Recording, a record label dedicated to Funk Carioca and the new so called Tropical Bass movement. The “Funk Mundial” compilation series gathering European producers is a good example on how this new Brazilian music charmed the old continent. Although Funk Carioca has often been synonym to poor black Brazilians from the favelas, the romanticization of the music was strong especially in Europe. This leads to the creation of things such as club with name like “Favela Chic” in Paris. The Brazilian favelas music was seen as new, wild, & sexy and this was enough to spark the interest of young Europeans. Movies like the fuelled this image of the romantic and dangerous ghetto life.
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